Back in the cool maze, we entered
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Back in the cool maze, we entered one of the few private houses open to the public. From ground-level storerooms, stairs rose to the tamanhat (living room). It was a revelation. Compared to the white minimalism of the streets below, here was an explosion of riotous colour, texture and decoration: geometric wall paintings in brilliant scarlet, sumptuously patterned cushions and rugs, cupboards and niches containing dusty family memorabilia and dozens of wall-hung copper pots and mirrors, both designed to refract available light. This multiplied when Manshour opened a trapdoor in the ceiling, unleashing a flood of sunbeams.
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