Some people have spent their sexual and emotional lives in the company of these dolls
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In 1906, German psychiatrist Ernest Jentsch mentioned the "Sandman" in a short essay he wrote, "On the Incredible Psychology." The German word unheimlich-literally means "unhomely", but translated as "uncanny" in English-is a sense of threat when familiar and well-known things become unfamiliar, unfamiliar, different, or wrong. Jentsch writes, for example, "doubt whether a person who appears to be alive is really alive, and conversely, suspect that an inanimate object may not actually be alive."
After Genchi, Sigmund Freud decided to investigate this phenomenon and its connection to the Anthony story. He conducted an in-depth analysis of this in his famous article "The Uncanny" in 1919. He believed that it was not the realistic sex doll that caused Nathaniel’s anxiety, but the sandman’s eagerly pierced eyes. This takes a different form in the story. It embodies the protagonist’s Oedipus complex and the subsequent fear of castration. Freud believed that this undermined Nathaniel’s prospects of establishing a complete and healthy relationship with a man of flesh and blood like Clara, and sent him into the arms of Mechanical Olympia-a perfect object of desire, a whiteboard he could express Your own desires without worrying about rejection, rejection or castration. "Wah's absolute concentration made him lose the entire stage.
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Two years before Jentsch's article, hardworking entrepreneurs had found a more direct way than psychoanalysis to deal with the fear of castration. A 1904 Chinese catalog boasted dolls, "There is no fear of blackmail, jealousy, argument, or disease. They are always available and always obedient." Sexologist Iwan Bloch described these reasons in detail. "Laughter dolls" made of "rubber and other plastic materials", "reproductive organs are presented in a real way." Therefore, he wrote in "The Relationship between Sexual Life in Our Time and Modern Civilization" in 1909, "Even the glandular secretion of the vestibular glands can be simulated by a'pneumatic tube' filled with oil."
I don’t know if the Silicone Love Doll commissioned by the Austrian-Czech painter and writer Oskar Kokoschka in 1915 possesses these complex features, but it is similar to Bell’s true and frustrating lover and widow of the outstanding composer. Compared with the relationship, he experienced scenes without jealousy or quarreling with the doll. At his request, she was modeled in Alma's image-Kokoschka even ordered her clothes, including underwear and other clothing, from Bell's own tailor. He took the doll to watch the opera (have they watched "Anthony's Story" together?), and then went for a drive in the carriage.
But her fate is similar to Olympia: she was beheaded and destroyed while drunk. Freud may have been aware of the scandal, which may have affected his article-after all, he had treated Bell, who was trying to deal with his wife's adultery. But the one who is absolutely familiar with and inspired by Kokoschka shemale sex doll is the German surrealist artist Luo Hong. Like Kokoschka, Bellmer tried to oppose the climax of Nazism in his life and work: the disturbing, erotic, disassembled and reassembled dolls he began to create in 1933 were subject to his opposition to fascism and his treatment of individuals. The influence of the way, as well as his strong but apparently unfinished attraction to a 15-year-old cousin.
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According to Luo Dong, Luo Hong is a pioneer of modernity dolls. "The mysterious and erotic models created by Luo Hong in the 1930s differ from functional dolls only in that they lack the necessary penetration holes," he points out. With the invention of inflatable dolls, these orifices came into being at the end of the Second World War. Rumor has it that these dolls were originally made in accordance with Hitler's instructions so that Aryan soldiers could obtain sexual satisfaction through contact with inferior races without polluting their purity. However, there is no reliable source to verify this. These inflatable products are not reliable because they are made of low-quality vinyl and often burst or tear the seams when used violently.
Constantly working hard to create a mini sex doll is a simulacra of male fantasy, involving female "availability", "obedience", full breasts, smooth skin, youthfulness and immortality, and can be regarded as an attempt to realize the ultimate objectification of women. In contrast to "using" flesh and blood women, in some brothels, people who use dolls need to pay an additional deposit. They are very expensive and need to be handled and maintained. The owner of such a "doll house", which allows occasional use of sex mannequins, told the BBC in a recent TV documentary ("The Future of Sex: Sex Robots and Us").
It’s the 21st century. Although people are more and more open to sex, sex dolls are still rare in our lives. Although there will be many baby friends who will bring sex dolls out, most people are still embarrassed. If you want to see more things related to sex dolls, you can read more stories.
But all this may change soon. Pornography, as its usual practice, captures every technological advancement that can be prostituted for its own purposes. The makers of "real" dolls, as these most advanced sex models claim, have fallen into their own "Pygmalion Project", aiming to create a sex doll that can not only move autonomously but also sense movement. Respond to it and express it verbally with its mouth—that is, to show life and even desires convincingly.
Some people have spent their sexual and emotional lives in the company of these dolls, not only seeing them as sexual objects, but also seeing them as objects of love and relationships. In 2014, David Levy, an artificial intelligence expert and author of the book "Sex with Robots", told Newsweek, "I believe that loving sex robots will bring a huge boon to society. There are millions of people who come from A good relationship can’t be established for this reason.” David Mills, the author of millions of them, is the happy owner of anime sex doll. Slaughter".
Mills told the magazine: "My basic personality conflict is that I really like women, but I don't like being with people." He also described the trauma of his first encounter with a doll and how he teared it up. The plastic one was excited, and then screamed in horror. This terrible humanoid doll stared directly at Mills with a sluggish death. RealDoll is the product of the fanatical imagination of artist and entrepreneur Matt McMullen, who founded a company called Abyss Creations.
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